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For me, my festival experience and Meadows is intricately connected. The first year I lived in Toronto I was a TIFF volunteer and was working the door when a filmmaker a couple of years younger than me gave me his ticket and asked me where he was supposed to sit. That was my first introduction to Meadows, who was there with two shorts, Small Time and Where's the Money, Ronnie? He has since returned to Toronto every couple of years with realistically gritty films inspired by his rough and tumble upbringing in central England: Twenty Four Seven, A Room for Romeo Brass, Once Upon a Time in the Midlands and Dead Man's Shoes.
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Meadows, who had just completed the film on Monday and was watching it for the first time with us, said he too had ran with skinheads when he was 11, but was essentially scared straight. "That night of violence is what turned me around," he told the audience. "That's probably the night the seed of a filmmaker was born.
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Much of the tale wraps around moments from world fairs, one in Belgium and Quebec’s historic Expo ’67 and also appeared in last year’s festival fave, C.R.A.Z.Y. Neither director is old enough to have attended, so we asked him about it. He said the fair was so important to the province that it has become part of his own experience. “My parents went and took picture and films. When I look at these pictures now I feel like I’ve been there.”
Pics:
Top: A scene from This Is England; Centre: This Is England director Shane Meadows; Bottom: Congorama director Philippe Falardeau
I don't follow too many directors through the VIFF circuit but one I do like is Vincenzo Natali. He's a great Canadian talent and I've been hooked since I first saw "Cube" in '97.
ReplyDeleteI haven't seen any of his work. I'll have to check it out.
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