Showing posts with label Spoke Art. Show all posts
Showing posts with label Spoke Art. Show all posts

I Shall Never Cross Its Threshold Again In My Lifetime


M. Gustave: Why do you want to be a lobby boy?
Zero: Well, who wouldn't - at the Grand Budapest, sir. It's an institution.

Max Dalton for Spoke Art’s upcoming Bad Dads VI, their sixth annual
Wes Anderson art show.

Previously on Popped Culture...
The Life Aquatic With Captain Kirk
Luke, I Am Your Never-ending Nostalgia
If Bill Murray Played Everyone In Wes Anderson's Films


Unreal Estate IV: The Movie


EXT. LOU'S TAVERN - NIGHT
I want you to do me one favour.
What's that?
I want you to hit me as hard as you can.



EXT. AN ABANDONED BUILDING - NIGHT
We scared each other pretty good, didn't we?
We sure did.




INT. MOS EISLEY SPACEPORT - DOCKING BAY 94
What a piece of junk.


Tim Doyle returns to pop culture locales,  this time taking on the big screen's cult classics in Unreal Estate IV: The Movie, his solo show at Spoke Art.

Previously on Popped Culture...
Unreal Estate
Shit! Orange Got Tagged
We'll Go To Very Distant Lands

Without You, Today’s Emotions Would be the Scurf of Yesterday’s



I love Amélie! Such a lovely film and I’ve never seen anything like except Pushing Daises. (Jessica Deahl for Spoke Art’s tribute to the films of Jeunet & Caro.)

Previously on Popped Culture…
Gnome Again, Gnome Again, Jiggity Jig
Return Of The Great Pop Culture Showdowns
Vampire Photo Booth


Breaking Bad: Where's Walter?


Found you, Heisenberg!
Walter White: You're goddamn right.

Where's Walter? by Max Dalton for his Spoke Art solo show, On A Mission From God.

Previously on Popped Culture...
Find Waldo, Yet Again
King Of The Meth Mountain
I Am The One Who Knock-Diddly-Ocks




I’m Not Gonna Hurt Ya!


Cuddly Rigor Mortis (Kristin Tercek)’s Shining typewriter reminds me of the Sesame Street hot-wheels typewriter, but more maniacal. This is her submission to Spoke Art’s great Stanley Kubrick show.

Previously on Popped Culture…


C'mon, Grab Your Friends, We'll Go To Very Distant Lands


Once again Tim Doyle takes us to "locations that many of us know and have been to on a weekly basis at times, but we can never actually visit." It seems we travel in the same circles. (UnReal Estate 3 via Spoke Art)



2 Cubic Meters and a Closet



Red Keep



TV Junk — can you name everything in Sanford's pickup?


Previously on Popped Culture…
Seems Nobody Wants To Hang Out In A Dank Pit No More
Shit! Orange Got Tagged?
Murphy Delivers The Law


Murphy Delivers The Law

There are only three Robocop commandments: 1. Serve the public trust. 2. Protect the innocent. 3. Uphold the law. There might be a fourth, but I can't tell you about that. (Tim Doyle for Spoke Art's Mucho Machismo)

Previously on Popped Culture...
We Stand On Guard For The Robot Apocalypse
Saturday Morning With RoboCop
Robocorn


007: Licence to Party


Why would you invite all your enemies to the same party? I'd stay out of that pool too. (Max Dalton for Spoke Art and the Castro Theatre)

Previously on Popped Culture...
Bond Vs. Bond
Bond. Plastic Bond.
The Man With The Kryptonite Gun


10 Cents Gets You Nuts


Another piece from Tim Doyle's show Unreal Estate, debuting at Spoke Art tonight. The previews have been amazing - can't wait to see what other shows/locations he tackles.

And you can't go wrong with the Bluths, especially with the confirmation they are retuning next year!

Previously on Popped Culture...

Seems Nobody Wants To Hang Out In A Dank Pit No More


Oh, but Moe: the dank. The dank!

Tim Doyle’s solo art show Unreal Estate is debuting at Spoke Art on Feb. 2, with Doyle "playing tour guide to his favorite TV locales, from Moe's Tavern to the Bluth Banana Stand to the Seinfeld diner." Doyle's work has great detail and feel for place, so this should be a great show.

Previously on Popped Culture...

And You Will Know My Name Is The Lord When I Lay My Vengeance Upon Thee


The path of the righteous man is beset on all sides by the iniquities of the selfish and the tyranny of evil men.

Matt Dye of Blunt Graffix gives Jules Winnfield's killing speech an appropriately religious iconography look for Spoke Art's latest Quentin Vs. Coen exhibit. (Ezekiel by Matt Dye)

Previously on Popped Culture...

Everybody Be Cool, This Is A Robbery!


If Honey Bunny and Pumpkin had a bad time robbing the diner in Pulp Fiction, then this is seriously the wrong place to try again. (Evanimal for Spoke Art's Quentin vs. Coen show)

Previously on Popped Culture...

Reservoir Zombies


How great would they look, entrails hanging out, shuffling along to Little Green Bag? Coolest zombies ever! Reservoir Dogs by Reza Rasoli for the Quentin vs. Coen show.

One Death, Payable To The Bearer On Demand

I've never seen a death certificate. Do they look like this? Because that would be awesome. Kiddo vs Driver by Anville for Spoke Art's increasingly cool Quentin vs. Coen show.

Previously on Popped Culture...

Shit! Orange Got Tagged?


"Mr. Orange dying in a 1972 Pontiac Lemans Coupe Convertible" is Tim Doyle’s tribute to Reservoir Dogs for Spoke Art's Quentin vs. Coen show. Here's part of his explanation of his inspiration from Slash Film:
"For me, the whole film is about the bond these two characters form- Mr. White and Mr. Orange. The entire caper, and all the character’s lives come undone because of the tight honor-bond that White has with Orange. Orange took a bullet in the gut and White is going to see him saved come hell or high water. It’s in this car that the seeds of destruction are sown, a pact made in a bloody hand-clasp. And damn, what a car it is. It’s a big honking chunk of US steel, and while it’s not out of place in the film stylistically, it’s a definite conscious decision on the part of the filmmakers."
Previously on Popped Culture...

I Wish Steve Buschemi Were Here


For the upcoming Spoke Art Quentin vs. Coen show Seth Patrick mashed up Donny from The Big Lebowski and Mr. Pink from Reservoir Dogs, and put it on the cover of a Pink Floyd album, of course.


Silly Rabbit, Trixs Are For Kids


"This print was inspired by the Kill Bill scene where Beatrix Kiddo and Oren Iishii fight outside of the House of Blue Leaves in the style of a Japanese wood block print. You can find emblems representing each of the assassins code symbol (the Black Mamba and the Copperhead) on their kimonos. In the word boxes are phrases from the film, roughly translated into Japanese. On the left is something to the tune of “When it comes to Revenge you must time it right/be swift” and on the right is “Silly Rabbit, Tricks are for kids”.


Previously on Popped Culture...

Pulp Fiction Action Figure Collection


Max Dalton has created a set of 35 figures from Pulp Fiction for Spoke Art’s Quentin vs. Coen show. The Shorts Vincent Vega and Shorts Jules Winnfield would probably be released in the second or third waves. And would be awesome. Click through for more details.



Previously on Popped Culture...
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